Tag Archives: GBV

The Happy Sounds of the Crowd (1983)

16 Nov
The Happy Sounds of the Crowd

The Happy Sounds of the Crowd

The release of the fourth incredible installment of Suitcase has illuminated a previously un-mined chapter in Pollard’s musical development — A proto-GBV group called The Crowd, dating all the way back to 1983! The cassette that was unearthed contains an album’s worth of material, much of it unreleased in this embryonic form, but a handful of the songs here went on to serve as source material for tracks on later Pollard albums. Seven songs from this tape are on Suitcase 4, and one additional track was released as a Guided By Voices B-side in 2013.

So here’s what’s been released so far:
1. Murphy Had A Birthday (AKA Today You’re 82) (Parts recycled in “Birds” and “Take Me to Yolita“)
2. Eloise (recycled in “Wrinkled Ghost“)
3. Time Will Destroy You
4. Then Again (acoustic)
5. Linda’’s Lottery (bit of melody here was borrowed for Keene Brothers’ “Island of Lost Lucys“)
6. Thick And Thin
7. Disappearing Act
8. Little Jimmy the Giant (b-side to Xeno Pariah)
Here’s what’s left:
1. Double Standards
2. Tell Me (also appears on Pissing in the Canal, later recycled as verse of “Tractor Rape Chain“)
3. Cardio-Combustion (melody that became “Hank’s Little Fingers“)
4. Hold Me
5. It’s a Matter of Time
6. Tamara
7. Magic Horses (early version of the still unreleased Power of Suck outtake “Sweeping Bones“)
8. Bom Bom
9. Wolves Among the Grave
10. I Won’t Be the Foolish One (mentioned in Beautiful Plastic as becoming “Gelatin Ice Cream Plum“)
11. Then Again (full band)

 

The eight tracks currently available showcase a band that has already mastered the art of writing songs, from a melodic standpoint. The arrangements are basic garage rock, but the structures are fussy and formal, with verses, choruses, and bridges, etc. in exactly the right places. In GBV’s typically off-kilter fashion, it wasn’t until Pollard unlearned some of the songwriting conventions on display here that he really found his artistic voice. But The Crowd material does not suffer for its youthful naivete — far from it. The band attack their songs with a punkish urgency that serves them well and sells the occasionally on-the-nose lyrics. The song structures may be fussy, but the live-sounding, no overdubs recordings certainly are not. Also of note is that the jangly, R.E.M. derived sound featured heavily on GBV’s early albums is mostly absent here in favor of power-pop/British invasion-inspired nuggets. 

“Murphy Had a Birthday” is the highlight for me, a relentlessly catchy song with a magnificent chorus. You might recognize part of the bridge (and a variation of its chorus) on English Little League‘s “Birds,” or the full bridge section on recent Pollard solo single “Take Me to Yolita” (from Faulty Superheroes), but the original track more than stands up on its own.

It’s also quite interesting to hear how the relentlessly energetic earworm of “Eloise” was re-written by an older, wiser Pollard to make one of my all-time favorite songs of his, the beautiful “Wrinkled Ghost” from Waved Out.

Would love to see the entirety of this Crowd session released as its own standalone LP! Based on what we have of it already, it’s a strong collection of tunes as well as an intriguing glimpse at a young songwriter learning his craft.

The Crowd featured Jimmy Davidson on guitar, Mitch Mitchell on bass, Kevin Fennell on drums, and Robert Pollard on vocals. Thanks to The Heed for providing the image and info on unreleased songs.

Hope to have some more Suitcase 4 inspired posts up soon!

The Flying Party is Here (version 2)*

3 Oct

*Don’t look for version 1 because I didn’t write about it (yet).

The Flying Party is Here is what came in-between The Power of Suck and Under the Bushes, Under the Stars. There are a couple versions floating about, and apparently both were close enough for release that some promo tapes exist. Here’s a handy guide to help you keep this craziness straight… and the great thing about this version of the album is that an owner of an original tape copy has digitized it and made it available here.

The Flying Party is Here (version 2)
alt. titles in red, released titles in blue

  1. Fireball (Big Boring Wedding)
  2. Ex-Aviator (Why Did You Land)
  3. Unbeknown Meters (A Life in Finer Clothing)
  4. He’s the Uncle
  5. Deaf Ears
  6. The Official Ironman Rally Song
  7. Cocksoldiers (Sheetkickers)
  8. Systems Crash
  9. Post-Everlasting (Beneath a Festering Moon)
  10. June Salutes You
  11. Drag Days
  12. Bender’s Bluffing Muscles (unreleased)
  13. Delayed Reaction Brats
  14. It’s Like Soul Man
  15. The Key Losers
  16. Redmen and Their Wives
  17. Newton’s Hopeless Marriage (Take to the Sky)
  18. Don’t Stop Now
  19. Stingy Queens (The Ash Gray Proclamation)

Flying Party, much like Not in My Airforce, is a hodgepodge of studio-recorded tracks and some lo-fi home-recordings. The album hues slightly closer to the spirit of Alien Lanes than Under the Bushes does, thanks to short, punchy tunes like “Systems Crash,” “June Salutes You” and “Delayed Reaction Brats.” Power of Suck holdovers like “Redmen and Their Wives” and “Official Ironman Rally Song” supply a dose of melancholy beauty.

A big chunk of the album is made up of the songs that comprise the final six tracks of Under the Bushes. These are the songs that were released as a separate disc on the vinyl version, and unceremoniously tacked on to the end of the CD version. The story is, apparently, that Matador was so disappointed that these Flying Party tunes didn’t make the final cut on UTBUTS that they insisted on adding them to the album.

Most of the other songs ended up as b-sides or EP tracks, with only one remaining officially unreleased: the brief Tobin Sprout tune “Bender’s Bluffing Muscles.” “Beneath a Festering Moon” (which is a slowed-down version of “Pink Drink”) was released on a compilation, and “The Ash Gray Proclamation” ended up on Not in My Airforce.

Though it’s a very strong album (one of the best shit-canned albums, in my opinion), Under the Bushes still wins in terms of consistency, quality, and freshness. I imagine the leftover Power of Suck tracks seemed mighty stale at this point, especially to someone who had just written “Cut-out Witch” and “Underwater Explosions.” Though I would have shared Matador’s concern when he cut songs like “Drag Days” from the album, it’s understandable that Pollard decided to farm this batch of songs out to smaller releases and let his new stuff take center stage.

It’s interesting to consider how ill-suited Pollard was, even back then, to be beholden to a record label’s schedule of one album a year. Suddenly, GBV was a hot band, and Pollard is officially a full-time musician. As an artist, he’s constantly moving forward, pushing out new product to make room for something new. He had time to write and record a ton of songs, but couldn’t release it all in a timely fashion. Who knows what would have happened if he’d been able to self-release records at that point… maybe The Power of Suck, The Flying Party is Here, AND Under the Bushes would have all come out in some form, in the same year! But it just so happened that he had a long delay in which to endlessly tinker with the the follow-up to Alien Lanes, leaving behind a long trail of shit-canned goodness. 

Flying Party version #2 Track breakdown

Under the Bushes, Under the Stars
The Official Ironmen Rally Song
Don’t Stop Now

Under the Bushes bonus tracks
Big Boring Wedding
Sheetkickers
Drag Days
It’s Like Soul Man
Redmen and Their Wives
Take to the Sky

Plantations of Pale Pink
Systems Crash
A Life in Finer Clothing

Split with Superchunk
Delayed Reaction Brats
He’s the Uncle
Key Losers

The Official Ironmen Rally Song single
Deaf Ears
Why Did You Land?
June Salutes You

Compilation
Beneath a Festering Moon

Not in My Airforce
The Ash Gray Proclamation

Unreleased
Bender’s Bluffing Muscles