Shitcanned.

Bee Thousand mk. IV

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Though it lacks a snazzy alternate title like some other earlier drafts, this is my favorite working-version of Bee Thousand. It’s a great mix, with a handful of Bee Thousand favorites mingling with some of the best forgotten gems from King Shit and The Golden Boys.

Side 1
1. Demons Are Real
2. Echoes Myron
3. Ester’s Day
4. 2nd Moves to Twin
5. Deathtrot and Warlock Riding a Rooster
6. Don’t Stop Now
7. Postal Blowfish
8. The Goldheart Mountaintop Queen Directory
9. Buzzards and Dreadful Crows
10. It’s Like Soul Man
11. Peep-Hole

Side 2
1. Bite
2. Hot Freaks
3. Scissors
4. Indian Was an Angel
5. Awful Bliss
6. Smothered in Hugs
7. Kicker of Elves
8. Queen of Cans and Jars
9. Crayola (AKA Parakeet Troopers)
10. Please Freeze Me
11. Tractor Rape Chain

Like other proto-Bee Thousands, the short “Demons Are Real” is utilized as a pretty effective opener, and I like how it leads into “Echoes Myron” at track two. But the best part of Bee Thousand mk. IV is hearing how strong outtakes like “Postal Blowfish,” “Indian Was an Angel” and “Please Freeze Me” sound next to proper Bee Thousand tunes. Those last two in particular are some of Bob’s best acoustic songs and I love hearing them in the context of an album. Then there are the great early versions of  “Don’t Stop Now” and Sprout’s “It’s Like Soul Man.” Both appeared later re-recorded as Power of Suck/Under the Bushes tunes, but these versions have their own distinct four-tracked charm and sound right at home. “Postal Blowfish” was also re-recorded but sadly never made it to an album.

The flow and sequence of Bee thousand mk. IV is much better than King Shit and the Golden Boys, and I think “Deathtrot and Warlock Riding a Rooster,” “2nd Moves to Twin,” and even “Bite” (never a favorite) really benefit from this context. For instance, on Bee Thousand: The Director’s Cut, “Deathtrot” makes an extremely awkward track 2, and here it is much more welcome. The only part of the sequence that doesn’t really work too well is having “Tractor Rape Chain” as the closer. It’s still a great song of course, but it doesn’t feel like a last track to me.

It’s interesting to note that many King Shit tracks — “Indian Was an Angel,” “2nd Moves to Twin,” “Crayola,” “Bite” and “Postal Blowfish” — had appeared on every Bee Thousand sequence up to that point, but were all dropped from subsequent sequences. Until being cut, they were in the company of “Queen of Cans and Jars,” “Goldheart Mountaintop Queen Directory,” “Smothered in Hugs”  and “Scissors,” which also survived across every sequence but then made it to the final two drafts (with “Scissors” ultimately being replaced by “Mincer Ray”). “Don’t Stop Now” and “Please Freeze Me” make their first and only appearance here as Bee Thousand tracks.

Despite lacking a few of the most beloved songs from this era, i.e. “I Am a Scientist,” “Gold Star for Robot Boy,” and “Hardcore UFOs,”  this draft of Bee Thousand is pure ear-candy from start to finish. The final product is even better, but I think this version would have been a hit too.

Make Your Own!
Bee Thousand
King Shit and the Golden Boys
Not in My Airforce (for “Parakeet Troopers” AKA “Crayola”)
+ “It’s Like Soul Man (four-track version)” which is on the out-of-print Bee Thousand: The Director’s Cut. Track it down! It’s also recommended that you use the version of “Ester’s Day” from this release because it lacks Bee Thousand‘s “At Odds With Dr. Genesis” intro.

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